Nidderdale Nurseryland
Packed audiences at this recent production had a double treat – the pleasure of a traditional pantomime together with an original story written by Society member Stewart Johnson. This combination proved to be a fine vehicle for a cast which did it 
full justice with skilled performance and enthusiasm which put many professional productions to shame. Audience participation was encouraged, and the cast relished the opportunity to exchange ad-libs, thus enhancing the show’s atmosphere.
The story tells of the kidnapping of the Princess Bo-Peep and her pet lamb Mint Sauce by the forces of evil for the purposes of marriage and feasting respectively, and their ultimate rescue by the forces of good.
Lining up on the side of evil were the Knave of Hearts, Tweedles Dum and Dee, and the wicked fairy Bella Donna, a quartet well able to rouse the audience to both rebellion and laughter. Iain Johnson played the knave with gusto and a most impressive evil laugh, and he was ably supported by his henchmen the two Tweedles played by Sara Lill and Alys Peacock, who gave a lively and engaging performance as the comic duo who couldn’t put a foot right.
Congratulations also go to Danielle Anson who stepped from the chorus to take over the part of Dum (due to Sarah’s illness) at 12 hours notice and show that admirable ability of the young to absorb the script word-perfectly for the second half of the show’s run.
Bella Donna, the evil fairy assisting in the Knave’s plot, was played by Rachel Smith. Strikingly clad in a riot of black lace and purple velvet, and sporting a
magnificent Italian accent (and dragon eyes) Rachel gave a memorable performance both vocally and physically.
Old King Cole was played by Jerry Harvey, whose tongue in cheek portrayal suited the character perfectly, and also made him irresistible to the
Dame. His daughter, Princess Bo Peep, was played by Sarah Burton, who used facial expression to good effect, and looked every inch the Princess.
Her lamb Mint Sauce was played with real cuteness by Katie Buller, who extracted the obligatory “ooh’s” and “aah’s” from the audience - apart from a few philistines who saw her more, as did the Knave, as a culinary opportunity.
The Court Chamberlain, a.k.a. Peter Buller, was very well cast, and his facility to adopt the open, simple-minded look needed for this part was, I am sure, a testimony to his acting prowess rather than hereditary! His was an entertaining, confident
performance, and his ability to work the audience was impressive.
Nevin Ward was Dame Mother Hubbard, and gave a subtle performance which allied good comic timing with an ability to deliver asides very tellingly. He too proved well able to ad lib with the audience, an art both required and appreciated by those present.
The Dame’s son Boy Blue was played by Zoe Buller who gave an engaging performance that saw her eventually win the hand of the Princess despite being prone to counting sheep rather than guarding them.
The key to the rescue of the two captives was finally down to outside assistance in the form of Fairy Lavender and the Grand Old Duke of York, played by Jo Jefferson and Mike Thorne respectively.
The former gave a truly magical performance, her delivery being well suited to her rhyming script.
The Duke of York’s contribution of 10,000 men came in handy in the rescue, and his characterisation was instantly recognised as Royal Family based.
Buttercup, the pet cow, was a hit with the youngsters and pensioners alike. Her bulky frame was expertly manoeuvred around the stage by Wahneta Thorne and Joyce Liggins, who now know more
about each other than most best friends do.
Scenery, sound, lighting and off-stage work was impressive, and added to the enjoyment of the evening. The splendid and highly colourful costumes – all specially created for this show – were ably masterminded by Christine Ward.
The diverse musical numbers were arranged by Jean Appleton, who also provided the excellent keyboard accompaniment.
Congratulations go to all involved in the production, which was co-directed by Stewart Johnson and Peter Buller
Ivan Turner
